Varnish

5/ 5

022.013

5/ 5

022.010

5/ 5

022.001

5/ 5

045.099

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is the purified, processed crude Seedlac.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Garnet is the most popular colour of the Wax Free shellacs and helps luthiers produce a warm and colourful looking varnish. It has a wonderful clarity and depth of shine.</span></p> <p></p>

045.104

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Elemi resin is a pale-yellow substance with a honey-like consistency. Elemi resin is used by luthiers in alcohol-based varnishes as its oily component gives the varnish better flexibility, adhesion, brilliance and plasticity.</span></p> <p></p>

045.096

5/ 5

<p>Extra dark Colophony (rosin), in comparison to light colophony, comprises a higher concentration of essential oils and coloring components. This variant, rich in these elements, is particularly well-suited for crafting violin oil varnishes. Obtaining the dark rosin proves challenging due to the prevailing trend where light rosin is more economically viable. Consequently, a true market for dark rosin is scarce, given the cost-effectiveness of its lighter counterpart.</p>

045.604

5/ 5

<p>Denatured Ethyl Alcohol 99.8°, available in a 5-liter container, stands as an excellent solvent tailored for spirit varnishes in violin making. With its exceptional purity and potent alcohol content, it provides a reliable solution for dissolving and working with delicate varnishes, catering specifically to the precision and craftsmanship required in the art of violin making.</p>

045.180

5/ 5

<p>Renaissance polish wax is effectively applicable to diverse solid surfaces, such as wood, metal, marble, onyx, mother-of-pearl, stone, ivory, plastic, leather, and even paper. Besides its typical role as a furniture polish, numerous art conservators employ it to safeguard oil paintings coated with varnish from issues arising due to atmospheric fluctuations. The polish also effectively diminishes the sheen of painting varnish. The soiled or fading hues of miniature oil artworks on ivory or leather are revitalized through cleansing with Renaissance.</p>

045.734

5/ 5

<p><strong>Features:</strong> An ideal solution for combating mold on walls and wood. Prevent mold formation even in challenging indoor environments such as walls exposed to thermal bridges or high humidity. The formulation contains active salts with a high concentration (&gt;16%), even during colder months, ensuring maximum effectiveness in all conditions. Unlike typical boron salt solutions, which contain only 3% active boron, this solution is highly concentrated. It does not contain biocides or substances subject to SVHC (Substances of Very High Concern) restrictions or endocrine disruptors. Zero emissions of volatile organic compounds (VOC)!</p> <p></p> <p><strong>Functions:</strong> Prevents mold formation and protects against damage caused by wood-boring insects. It also acts as a fire retardant for wood and cellulose.</p> <p></p> <p><strong>Application:</strong> It can be applied to the wall with a roller, brush, or spray, ensuring the solution is adequately absorbed before applying a breathable paint like "Luminosa." Mold will not return! For wood treatment, apply generously and allow to dry. The wood should not have been previously painted. Application can be done with a brush or sprayer.</p> <p></p> <p><strong>Dilution:</strong> Dilute with water in a 1:1 ratio.</p> <p></p> <p><strong>Coverage:</strong> Covers 20 square meters per liter.</p>

045.725

5/ 5

045.117

5/ 5

<p>Also called White Spirit, the Petroleum Essence is of purely mineral origin. Its main quality is that it evaporates completely without leaving any trace. Like turpentine essence, it is used to dilute multiple mediums and varnishes. Also suitable for cleaning brushes and palettes.</p>

045.404

5/ 5

037.007

5/ 5

037.005

5/ 5

<h2>oil to rehydrate the wood of keyboards and other musical instruments</h2> <p>Cleans and maintains the fingerboard, prevents cracks and keeps the surface smooth. Perfect balance between slide and static friction.</p> <p>Content 75 ml</p>

045.403

5/ 5

045.177

5/ 5

<p>Copal can be considered a young form of amber, still in a phase of chemical and physical transformation (amberization). It can be distinguished from amber by its opacity and the presence of numerous insects and other small animals inside. Unlike amber, copal is soluble in substances such as ether or benzene and can be completely dissolved to recover the insects inside.</p> <p></p> <p>Copal is extracted from various parts of the world, including Sierra Leone, Benin, Cameroon, Congo, Angola, Zanzibar, Mozambique, Madagascar, Mexico, Colombia, Brazil, Philippines, and New Zealand. It is produced by various species of broadleaf plants and occasionally by conifers. For example, Madagascar's copal is produced by a legume still present on the island, Hymenaea verrucosa (copalier). South American copal is produced by various plants in the Burseraceae family, such as Icica icicariba (which produces Brazilian gold copal), Bursera microphylla and Bursera graveolens (which produce black copal), and Protium crassipetalum (which produces white copal). Colombia's copal is produced by another legume in the Santander Department. Finally, the Philippines and New Zealand's copal is produced by a conifer in the Araucariaceae family, Agathis dammara (locally known as Kauri).</p> <p></p> <p>Manila Copal Gum comes in resinous masses of varying sizes, with surfaces of more or less dark color and a melting point ranging from 103°C to 120°C. It is soluble in alcohol and insoluble in common solvents.</p> <p></p> <p>Manila Copal Gum is soluble in alcohol at a temperature above 94°. After pyrolysis, Manila gum produces a substance soluble in alcohol and allows only small amounts of oil to be added. A solution is obtained that, when mixed with other resins and varnishes, can be used to prepare adhesives, putties, wood varnishes, and as an antique finish for frames, furniture, etc.</p>

045.091

5/ 5

022.043

5/ 5

045.126

5/ 5

045.107

5/ 5

045.154

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Chios Mastic Gum is a natural resin that comes out spontaneously or by engraving from the "Pistachia Lentiscus" that grows on the island of Chios in Greece.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">The Chios Mastic Gum comes in the form of rounded tears, light yellow, bright and transparent.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">It is soluble in alcohol and essence of turpentine.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">In varnishes it is extremely transparent, brilliant and non-yellowing.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Due to its qualities of transparency and brilliance, Chios Mastic Gum is frequently used by Luthiers in the preparation of the highest quality Oil and Spirit varnishes.</span></p> <p></p>

045.097

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is a resinous secretion of the lac insect and it is the only commercially used natural resin of animal origin. After the crude lac is gathered from the tree, it is crushed and graded and the largest particles are called "Seedlac". This set of small selected natural “golden gems” is simply cold washed to eliminate dust and wood residues and to keep intact the characteristics of the native resin such as the colour and the waxy component. This resin has been recently rediscovered by luthiers who want to give their alcohol varnishes rich and warm shades and at the same time soften their recipes.</span></p> <p></p>

045.105

5/ 5

<p><span style="background-color:#fbe329;"><strong>SOLD EXCLUSIVELY TO PROFESSIONALS!!!!</strong></span></p> <p>The 28BE Pure Ammonia, with a concentration of 30/33%, in a 1-liter container, is a versatile solution but must be handled with extreme caution due to its intrinsic danger. The designation "28BE" indicates the specific density of the solution, while the percentage of 30/33% underscores the high concentration of ammonia present.</p> <p>This ammonia solution finds applications in various sectors, including domestic, industrial, and commercial. Its versatility makes it useful for cleaning and degreasing surfaces, removing stubborn stains, and neutralizing unpleasant odors. In the industrial sector, it can be employed as a chemical reagent in various production processes.</p> <p>However, its hazardous nature requires utmost care during use. Pure ammonia is known for its potential to cause harm in case of prolonged contact or accidental ingestion. Therefore, it is crucial to carefully read the label instructions, use appropriate personal protective equipment, and ensure operation in a well-ventilated area to minimize the risks associated with the use of this substance.</p> <p>The inherent danger emphasizes the need to restrict access exclusively to experienced professionals who can handle this high-concentration ammonia solution safely and responsibly.</p>

045.757

5/ 5

045.041

5/ 5

022.005

5/ 5

<p>Discover the Borciani &amp; Bonazzi brush, a work of art in itself! Lovingly created by Borciani &amp; Bonazzi, this high-quality synthetic brush is the perfect choice for artists who want to apply alcohol-based paints with ecological sensitivity, without compromising on the outstanding quality of natural sable brushes.</p> <p>Crafted with an advanced synthetic fiber that remarkably mimics the softness and elasticity of natural sable fur, this brush delivers exceptional performance. The synthetic fiber has been designed to withstand the test of time, ensuring long-lasting durability and consistent performance with proper maintenance, just like natural sable fur.</p> <p>The short handle provides optimal control during painting, allowing you to handle the brush with ease and precision. You can also grip it by the tail for added flexibility during application. The Series 203 is the ideal alternative to traditional brushes with extra-fine natural sable fur, maintaining the same lightweight feel and offering slightly less elasticity.</p> <p>This brush is your perfect companion for preparing surfaces with alcohol-based paints, offering controlled color release and an impeccable finish, just like natural sable fur. The fiber's length is a real added value when it comes to applying final coats, allowing you to achieve extraordinary results.</p> <p>Choose the Borciani &amp; Bonazzi brush and contribute to preserving the beauty of our planet while unleashing your artistic creativity. An eco-friendly brush for conscious artists that perfectly mimics natural sable fur!</p>

022.117

5/ 5

045.176

5/ 5

045.116

5/ 5

045.112

5/ 5

<p>Haematite is a micronized, natural iron oxide pigment that provides a highly intense coloring effect. When used in corrosion-protective paints, haematite absorbs UV rays, effectively safeguarding the binding agent.</p> <p>The following effects are reached:</p> <p>- an excellent corrosion protection</p> <p>- a good dispersibility</p> <p>Typical fields of application:</p> <p>- Corrosion-protective paints</p> <p>- Priming coat</p> <p>- Varnishes</p> <p>- Building material</p> <p>Haematite can be used in systems which contain solvents as well as those which are solvent free and in</p> <p>aqueous systems.</p> <p>Technical Data</p> <p> Type natural iron oxide</p> <p> Density 4.6 ± 0.1 g/cm3</p> <p> Apparent density 0.9 ± 0.1 g/cm3</p> <p> pH-Value 8.0 ± 1</p> <p> Specific surface area 15 ± 0.5 m2/g</p> <p> Oil absorption 22 ± 1 g/100 g</p> <p> Conductivity 225 (± 75) µS/cm</p> <p> Humidity 0.2 ± 0.15 wt.%</p> <p> Loss on ignition (1000°C) 5.0 ± 1.5 wt.%</p> <p> Water soluble salts (Cl- + SO42-) ≤ 0.1 wt.%</p> <p> Opacity 100 %</p> <p> Relative tinting strength 100 ± 5 %</p> <p>∆E* CIELab parameter &lt; 0.5</p> <p>Particle Size</p> <p> Average particle size 1.25 ± 0.15 µm</p> <p> Maximum particle size 10 ± 1 µm</p> <p> Residue on sieve of 45 µm &lt; 0.01 wt.%</p> <p> &lt; 10 µm 100 %</p> <p> &lt; 8 µm &gt; 99.7 %</p> <p> &lt; 6 µm &gt; 98 %</p> <p> &lt; 4 µm &gt; 93 %</p> <p> &lt; 2 µm &gt; 79 %</p> <p> &lt; 1 µm &gt; 61 %</p> <p>Chemical composition (%)</p> <p> Fe2O3 80.0</p> <p> SiO2 7.8</p> <p> Al2O3 3.2</p> <p> CaO 2.1</p> <p> MgO 1.5</p> <p> K2O 1.0</p> <p> TiO2 &lt; 0.1</p> <p> P2O5 &lt; 0.1</p> <p> MnO &lt; 0.1</p> <p> Na2O &lt; 0.05</p> <p> CO2 3.4</p> <p> H2O (struct.) 0.9</p> <p> SO3 &lt; 0.05</p>

045.722

5/ 5

<h3>Our evaluation of the Super Nikco 500ml</h3> <p>The Super Nikco 500ml has been carefully evaluated by our team of experts at Grandi Liutai and represents an excellent choice for the care and maintenance of musical instruments. This cleaner and polish is specifically designed for the cleaning and protection of wooden surfaces, including string instruments such as violins, violas, and cellos. We are pleased to confirm that the Super Nikco 500ml is a high-quality product that delivers professional and long-lasting results. Its advanced formula effectively removes dirt, grease residue, and fingerprints, restoring the original appearance of musical instruments. Additionally, Super Nikco provides long-term protection by creating a weather-resistant and stain-resistant barrier. The application of Super Nikco is simple and safe. Just spray the product onto the surface to be cleaned and use a soft cloth to gently rub. The cleaner dries quickly without leaving any residue or streaks, leaving the wood clean, shiny, and protected. We particularly appreciated the effectiveness of Super Nikco in restoring the natural shine of the wood on musical instruments. The product penetrates deep into the wood fibers, restoring color and brilliance without compromising the integrity of the material. Furthermore, Super Nikco is safe to use on various finishes, including varnishes and oils, without causing any damage or fading. In addition to its cleaning and protection effectiveness, the Super Nikco 500ml also offers excellent value for money. The 500ml packaging provides a generous amount of product, sufficient for numerous applications. Additionally, the bottle features a convenient sprayer that allows for precise and controlled application. In conclusion, the Super Nikco 500ml is a high-quality cleaner and polish that we highly recommend to all musicians, luthiers, and music instrument enthusiasts. Its effectiveness in cleaning, protecting, and restoring the natural shine of wood makes it an essential tool for the care and maintenance of musical instruments.</p>

045.501

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Sandracca is a natural resin obtained from the Juniperus comunis shrub.</span></p> <p>It is a shellac-like resin, but much clearer, and is used as a final varnish for lacquered furniture or as a varnish additive.</p> <p>With this resin we obtain a film of high gloss and hardness and good adhesion.</p> <p>Sandracca can also be used in some varnishes as a substitute for shellac due to the need to have a finish that does not alter the colour of the wood, especially light ones.</p> <h3>Our evaluation of the Grinepro sandarac resin</h3> <p>At <strong>Grandi Liutai</strong>, we recently evaluated the Grinepro sandarac resin for the protection of furniture and musical instruments, as well as its usefulness in the preparation of varnishes and lacquers. After conducting a series of tests in our luthier laboratories, we were very satisfied with the results obtained. Firstly, we found that the Grinepro sandarac resin is a high-quality product, which comes in a solid and transparent resin form. Its consistency makes it easy to apply to the surface of the objects to be protected, and its ability to harden quickly ensures long-term protection. In addition, the transparency of the resin does not alter the natural color of the wood and preserves its beauty. Secondly, we tested the Grinepro sandarac resin for the preparation of varnishes and lacquers. We found that this product has excellent solubility capacity, which means that it can be easily diluted in solvents such as alcohol or turpentine essence for the creation of high-quality varnishes and lacquers. The resin also contributes to giving a greater shine and protection to varnishes and lacquers, ensuring a durable and resistant finish. Finally, Grandi Liutai greatly appreciated the versatility of the Grinepro sandarac resin. This product can be used not only for the protection of furniture and musical instruments but also for the creation of craft and decorative objects, such as frames or boxes. Its ability to preserve the natural color of the wood and to provide a shiny and resistant finish makes it an essential tool for every craftsman. In conclusion, our evaluation of the <strong>Grinepro sandarac resin</strong> is extremely positive. Its high quality, ease of use, and versatility make it an essential product for every luthier or craftsman. We highly recommend this product to anyone who needs to protect, decorate, or varnish wooden objects.</p>

045.095

5/ 5

<p>The root of a climbing plant from which yellow dye is derived.</p>

045.721

5/ 5

<p><span style="background-color:#fbe329;"><strong>SOLD EXCLUSIVELY TO PROFESSIONALS!!!!</strong></span></p> <p>The process of darkening wood using Sodium Nitrite involves its dissolution in water, followed by application onto the surface of the wood. When exposed to sunlight or UV lamps, the wood will begin to develop a reddish-brown hue, simulating the effect of natural wood tanning. This method allows achieving the final color of the wood without resorting to excessive application of colored varnishes.</p> <p></p> <p><strong>Danger indications of Sodium Nitrite:</strong></p> <p></p> <p><strong>H272 May intensify fire; oxidizer</strong></p> <p></p> <p><strong>H301 Toxic if swallowed</strong></p> <p></p> <p><strong>H319 Causes serious eye irritation</strong></p> <p></p> <p><strong>H400 Very toxic to aquatic life</strong></p> <p></p> <p><strong>P210 Keep away from heat, hot surfaces, sparks, open flames, or other sources of ignition. No smoking</strong></p> <p></p> <p><strong>P220 Keep/Store away from clothing/combustible materials</strong></p> <p></p> <p>P264 Wash thoroughly after handling</p> <p></p> <p>P273 Avoid release to the environment</p> <p></p> <p>Precautionary advice - response</p> <p></p> <p>P301+P310 IF SWALLOWED: Immediately call a POISON CENTER/doctor</p> <p></p> <p>P305+P351+P338 IF IN EYES: Rinse cautiously with water for several minutes. Remove contact lenses if present and easy to do. Continue rinsing</p>

045.730

5/ 5

<h2 class="MsoNormal"><span>Dye for ebony wood</span></h2> <p>Ebony dye suitable for furniture and musical instruments.</p> <p class="MsoNormal"><span>Nero³ <span> </span>Original water-based concentrated extract for Ebony parts.</span></p> <p>This wonderful blend of pigments penetrates the wood quickly and perfectly masks the light grain of every wood already from the first applications. For permanent colouring processes, leaves a natural deep black on all wood parts such as Pegs, Fingerboards, Sadles and Nuts!</p> <p>Application- clean item thoroughly, remove grease and grime including old sealer or polish.</p> <p class="MsoNormal">Sponge on light coats. Let dry in between coats until Ebony is totally black.</p> <p class="MsoNormal"><span>Coverage approx. 180+ applications .<span>  </span>Professional Use.</span></p> <p>Designed by violinmakers with built-in applicator sponge.  50ml bottles</p> <h3>Our evaluation of the Ebony Dye - Nero³ - 50 ml</h3> <p>The Ebony Dye - Nero³ - 50 ml has been carefully evaluated by our team of experts at Grandi Liutai, and it is an excellent product for luthiers and craftsmen looking for a high-quality dye for their furniture and musical instruments. This dye has been specifically designed for ebony, a highly prized wood commonly used in the construction of musical instruments, luxury furniture, and other high-quality objects. We are happy to confirm that it is a product of the highest quality that guarantees a professional and long-lasting result. The Ebony Dye - Nero³ - 50 ml is easy to use and apply, and it perfectly meets the needs of the most demanding luthiers and craftsmen. Its water-based formula is safe and non-toxic, ensuring a safe and risk-free work experience. Additionally, this dye has an excellent ability to penetrate the wood surface, allowing for an intense and uniform color without leaving streaks or stains. We particularly appreciated the versatility of this dye, which can be used to tint and darken ebony, giving furniture and musical instruments an elegant and refined finish. The Ebony Dye - Nero³ - 50 ml also has excellent resistance to wear and water, ensuring a durable and high-quality finish. In summary, the Ebony Dye - Nero³ - 50 ml is a high-quality product that we highly recommend to luthiers, craftsmen, and anyone looking for a professional dye for their furniture and musical instruments. Its safe and easy-to-use formula, as well as its ability to penetrate deep into the wood and ensure a uniform and long-lasting color, make it the ideal choice for achieving a high-quality finish on precious materials like ebony.</p>

045.085

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is the purified, processed crude Seedlac.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">TN Shellac of the highest quality stands out for its very fine impalpable flakes that make it extremely soluble and easy to combine with other resins, even cold dissolved. </span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">The TN is the preferred by luthiers for its low price and for the excellent qualities in the preparation of spirit varnishes and French polish.</span></p> <p></p>

045.102

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is the purified, processed crude Seedlac.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Dewaxed Ruby Shellac is very rare and hard to find.<span>  </span>It produces a stunning deep reddish mahogany looking tone on most lighter woods.<span>  </span>It is highly desirable for preparation of modern varnishes and antique restorations.<span>  </span>It is a very popular shade for a warm looking general finish on light to medium woods.<span>  </span>It will produce one of the most beautiful finishes in violinmaking. Our Ruby shellac is also dewaxed.<span>  </span>This provides the advantage of being fully compatible with most of other natural resins. It has a wonderful clarity and depth of shine.</span></p> <p></p>

045.101

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Benzoin resin, also known as Benzoin gum, is very soluble in alcohol. It is used by luthiers in alcohol varnishes to achieve greater brilliance and improve the smoothness of the last layers of varnish.</span></p><p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb"></span></p><p> </p>

045.098

5/ 5

<p>Aloe is a thickened juice derived from the leaves of various Aloe species. It belongs to the Liliaceae family and is indigenous to regions such as southern Africa, Egypt, India, and Mediterranean countries with a similar climate. In commercial trade, Aloe is often named after its place of origin.</p> <p>The process of extracting Aloe involves extracting the juice by cutting the leaves and allowing it to dry in the air. Alternatively, an Aloe extract can be obtained by boiling the dried leaves and evaporating the resulting decoction. This extract is considered inferior and is primarily used in medicine due to its high concentration of bitter substances.</p> <p>Two main varieties of Aloe can be distinguished based on their appearance, although there are also mixed forms. The first variety, commonly sourced from Capeland, has a shiny appearance because it is dried over a fire. However, prolonged storage may cause it to melt if it contains a significant amount of salt, which is considered an impurity. The second variety, known as "Leberaloe," has a dull, resinous, leathery brown exterior. Aloe sold under the name "Aloe Mosselbay" is a type of Kapaloe, while Port Elisabeth is another region in South Africa where it is produced but further east.</p> <p>Aloe contains aloin, an anthraquinone pigment. The percentage of aloin varies between 5% and 40% depending on the variety. Different types of aloin are designated with a prefix corresponding to the origin of the Aloe variety (e.g., Kapaloin). Additionally, aloinosides, which are glycosides of aloin, and aloeemodin are also present. Nitric acid can be used to extract chrysamic acid from Aloe, which appears as yellow leaflets when dried and dissolves in boiling water with a red color.</p> <p>Chrysamic acid is primarily employed for dyeing wool and silk. When combined with soda ash, untreated wool can be dyed blue or blue-gray, depending on the concentration of the dye bath. The resulting shade of blue is somewhat similar to indigo, but with a slightly reddish hue due to Orseille. In leather dyeing, chrysamic acid was utilized for achieving yellowing effects. Silk can be dyed with chrysamic acid, resulting in shades ranging from purple to rose red, and with a more diluted dye bath, various shades of pink can be obtained. Although chrysamic acid allows for other color variations, it is also commonly referred to as "aloe purple."</p> <p>Untreated Aloe readily dissolves in warm water and can be used to dye fabrics in yellow and brown tones, although the colors are not very lightfast. Without mordant salts, wool dyed with Aloe appears dark brown, while alum produces a reddish light brown hue. Ferrous sulfate yields maroon colors, and post-treatment with potassium bichromate darkens the browns. Due to the low lightfastness of Aloe-dyed textiles, it is often combined with other dyes. Aloe solutions in nitric acid are also utilized for dyeing wood, resulting in shades of yellow or resembling mahogany.</p> <p></p> <p>Product Data Sheet</p> <p>Product: Aloe capensis, powder</p> <p>Origin: South Africa</p> <p>Protected species (CITES): yes</p> <p>Harvest: wild gathering</p> <p>Fertilization: no</p> <p>Time of harvest: April – June</p> <p>Identity: complies</p> <p>Cleaning: manually</p> <p>Drying: drier</p> <p>Degree of crushing: ground</p> <p>Pharmacopoeia: complies to Ph.Eur. 2.8.13</p> <p>Pesticides: complies</p> <p>Chlorpyrifos and -methyl: &lt; 0.01 mg/kg</p> <p>Heavy metals: lead, cadmium, mercury: tested</p> <p>Microbiology: complies to Ph.Eur, herbal medicines, Cat. A</p> <p>Aflatoxins: tested</p> <p>Polycyclic aromatic hydrocarbons (PAH): not tested</p> <p>Desinfestation with CO2: yes</p> <p>Germ reduced: no</p> <p>Genetic modification: no</p> <p>Treated with ionizing radiation: no</p> <p>Temperature: max. 25°C</p> <p>Storage: dry and protected from sunlight </p>

045.700

5/ 5

<h2 class="MsoNormal"><span>Amber for the preparation of oil paints</span></h2> <p class="MsoNormal"><span>The <strong>Amber Colophony</strong> is prepared by exposing Amber to a short-term temperature which occurs in vacuum, coupled with the simultaneous separation of the gaseous and liquid elimination products, results in the formation of a particularly high-quality rosin which is free from extraneous substances and is particularly suitable for the production of oil varnishes. </span><span lang="it" xml:lang="it">The reaction takes place at 300-450 Celsius.</span></p> <h3 class="MsoNormal"><span lang="it" xml:lang="it">It is above all indicated for the production of high quality varnishes in lutherie</span></h3> <h3>Our evaluation on the use of <strong style="font-size:11px;">amber Colophony</strong></h3> <p><span style="font-size:11px;">At </span><strong style="font-size:11px;">Grandi Liutai</strong><span style="font-size:11px;">, we have </span><strong style="font-size:11px;">evaluated the use</strong><span style="font-size:11px;"> of</span><strong style="font-size:11px;"> amber Colophony</strong><span style="font-size:11px;"> and found that its main function is to confer greater resistance and hardness to the paint, while also improving its adhesion. However, the use of </span><strong style="font-size:11px;">amber Colophony</strong><span style="font-size:11px;"> in the preparation of oil paints presents some unique characteristics. Firstly, it is necessary to have a reliable source of high-quality amber, as its purity and properties can vary significantly. We have found that the processing of </span><strong style="font-size:11px;">amber Colophony</strong><span style="font-size:11px;"> can be complicated and require the use of specialized equipment. Despite these disadvantages, we have seen that the use of pyrolyzed amber can bring numerous advantages in the preparation of high-quality oil paints. Paints containing pyrolyzed amber have greater wear resistance, adhesion, and durability over traditional oil paints. In addition, </span><strong style="font-size:11px;">amber Colophony</strong><span style="font-size:11px;"> can improve the transparency and brightness of the paint, giving paintings a more vibrant and brilliant appearance. In summary, Grandi Liutai is satisfied with the use of </span><strong style="font-size:11px;">amber Colophony</strong><span style="font-size:11px;"> in the preparation of oil paints, which may require some attention and expertise but can lead to extremely satisfying results. When used correctly, </span><strong style="font-size:11px;">amber Colophony</strong><span style="font-size:11px;"> can significantly improve the quality and durability of oil paints, giving paintings a more vibrant, brilliant, and long-lasting appearance.</span></p>

045.103

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Grandi Liutai Italiani carries the finest quality of Platinum shellac available and guarantee its as the best quality on the market.</span></p> <p>Shellac is the purified, processed crude Seedlac.</p> <p>Dewaxed Platinum Shellac Flakes has very little colour.<span>  </span>It is primarily used as a clear coat in order to reveal the natural colour of the wood. It allows the natural colour to show through.</p> <p>It has a wonderful clarity and depth of shine.<span>  </span>It will produce one of the most beautiful finishes in violinmaking. Platinum is one of the most popular colours for bringing out the natural colour of exotic hardwoods.<span>  </span>Platinum Shellac gives the wood a little amber colour and is the 1st lightest colour available on the market.</p> <h3>Our evaluation of Shellac Platinum BLEACHED</h3> <p>Dewaxed and Decolored Shellac Recently, the team of <strong>Grandi Liutai</strong> evaluated Platinum BLEACHED Dewaxed and Decolored Shellac for the preparation of varnishes and lacquers, as well as for the protection of furniture and musical instruments. After a series of tests conducted in our luthier laboratories, we can confidently say that it is a high-quality product. Firstly, our company noticed that Platinum BLEACHED Dewaxed and Decolored Shellac comes in the form of a solid, transparent resin with a pale color. Its easy-to-work-with consistency and ability to harden quickly make it ideal for preparing varnishes and lacquers. Furthermore, our team found that this dewaxed and decolored shellac has significant solubility, making it easy to dilute in solvents such as alcohol or turpentine to create high-quality varnishes and lacquers. Secondly, we tested Platinum BLEACHED Dewaxed and Decolored Shellac for the protection of furniture and musical instruments. Its transparency and ability to harden quickly provide long-term protection against wear and tear. Additionally, we noted that this decolored and dewaxed shellac is resistant to stains, moisture, and UV rays, making it ideal for protecting objects exposed to direct sunlight. Finally, we appreciated the versatility of Platinum BLEACHED Dewaxed and Decolored Shellac. This product can be used not only for the preparation of varnishes and lacquers but also for the creation of craft and decorative objects, such as frames or boxes. Its ability to preserve the natural color of wood and provide a glossy and durable finish makes it an essential tool for any artisan. In conclusion, the<strong> evaluation by the Grandi Liutai team</strong> of Platinum BLEACHED Dewaxed and Decolored Shellac is <strong>extremely positive</strong>. Its high quality, ease of use, and versatility make it an indispensable product for any luthier or artisan. We highly recommend this product to anyone in need of preparing high-quality varnishes and lacquers or protecting and decorating wooden objects.</p>

045.100

5/ 5

<p>Retouching brushes utilizing unique shape of the hair tip ideally lead a thin and narrow lacquer layer exactly in the desired point or line. Round brush, pure Kolinsky red sable hair, stainless steel ferrule, wooden black varnished handle.</p> <p>Habico Brushes</p> <p>As an esteemed German manufacturer of finest artist brushes, Habico has developed special brushes for violin makers. These slim brushes feature short hair to ensure finest and even lacquer layers. Many years of experience enable Habico to offer appropriate brush hair types for different kinds of spirit and oil varnishes.</p> <p></p>

022.103

5/ 5

<p>Sanding sponge for wood, paint, metal, glass fiber, coatings and composites. Both dry and wet sanding.</p>

031.210

5/ 5

022.063

5/ 5

<p>This oil varnish was produced for fine arts but it is used by many luthiers to give their alcohol varnish the aspect of oil varnish!</p> <p>Just apply one or two coats of this product at the end of the alcohol varnish to have a very high level result.</p> <p>Drying is rather quick in the UV box, but also in the air in a few days. Gives brightness and depth. It has a brilliant final look.</p> <p>The brush indicated is the synthetic - Series 302 Borciani &amp; Bonazzi.</p>

045.751

5/ 5

045.057

5/ 5

022.055

5/ 5

022.019

5/ 5

022.007

5/ 5

022.006

5/ 5

022.004

5/ 5

045.137