List of products by brand Grandi Liutai Italiani

5/ 5

037.022

5/ 5

<p>Divider in tempered steel with brass screw</p> <p>The measurement refers to the length of the legs</p>

028.010

5/ 5

<p>Boxwood peghole bushings, conically shaped, used for the closure of peg holes on string instruments.</p> <p></p> <p>DIMENSIONS</p> <p></p> <p>Violin (VNO): 8/12mm</p> <p></p> <p>Viola (VLA): 10/14mm</p> <p></p> <p>Cello: 14/19mm</p>

050.110

5/ 5

<p>Maple and Boxwood peghole bushings, MADE IN GERMANY, conically shaped, used for the closure of peg holes on string instruments.</p> <p></p> <p>DIMENSIONS</p> <p></p> <p>Violin (VNO): 8/12mm</p> <p></p> <p>Viola (VLA): 10/14mm</p> <p></p> <p>Cello: 14/19mm</p>

050.013

5/ 5

053.005

5/ 5

053.020

5/ 5

053.044

5/ 5

053.014

5/ 5

053.013

5/ 5

053.011

5/ 5

053.034

5/ 5

053.033

5/ 5

053.031

5/ 5

053.030

5/ 5

053.039

5/ 5

053.037

5/ 5

053.028

5/ 5

053.027

5/ 5

053.025

5/ 5

053.024

5/ 5

053.023

5/ 5

053.041

5/ 5

053.002

5/ 5

053.043

5/ 5

053.016

5/ 5

<p>4x Piroli Violino Mod. Hill  Ebano - Dettagli in Ebano Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill  Ebano- Dettagli in Bosso Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill Bosso - Dettagli in Ebano Ø 8.5mm</p>

053.008

5/ 5

053.003

5/ 5

053.038

5/ 5

053.036

5/ 5

053.035

5/ 5

053.032

5/ 5

053.029

5/ 5

053.026

5/ 5

053.022

5/ 5

053.017

5/ 5

053.012

5/ 5

053.009

5/ 5

<p>4x Piroli Violino Mod. Hill  Ebano - Dettagli in Ebano Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill  Ebano- Dettagli in Bosso Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill Bosso - Dettagli in Ebano Ø 8.5mm</p>

053.006

5/ 5

<p>The dewaxed and decolorized shellac, although it may have a slightly darker hue compared to the "Platinum" quality, is still an excellent product for preparing varnishes used in luthiery. This product offers a reliable and high-quality alternative, ideal for those seeking a balance between excellent performance and more affordable cost.</p> <p>Its dewaxed and decolorized nature suggests a manufacturing process that removes impurities and unwanted colorations, contributing to ensuring a high-quality and uniform varnish. Shellac is well-known for its versatility in creating varnishes for musical instruments, and this specific variety provides a solution appreciated by luthiers and craftsmen.</p> <p>Choosing dewaxed and decolorized shellac means investing in a crucial component for creating varnishes that not only enhance the aesthetic beauty but also contribute to a superior sound quality in musical instruments.</p>

045.729

5/ 5

<p>These bridge blanks for violin/viola are made from split Bosnian mountain maple wood, air-dried rather than sawn. This means that the medullary ray lines run long and straight relative to the surface of the blank, ensuring greater stability and dimensional precision. Additionally, the wood is treated to harden it, ensuring that the bridge does not warp or shrink over time.</p> <p>These blanks are perfect for crafting high-quality violin and viola bridges. They are sturdy and durable, and will add a touch of beauty and elegance to your instrument.</p>

011.117

5/ 5

<p>Brushes with optimal blonde bristles for glue application.</p> <p>The handle and ferrule made of Moplen (Plastic material produced through stereospecific polymerization of propylene.) to prevent oxidation on the glues.</p>

022.108

5/ 5

<p>African ebony is a fine wood widely renowned for its excellent characteristics, including hardness, stability and wear resistance. The African ebony top nuts provide an excellent surface for the viola's strings, allowing for better intonation and more accurate tuning hold. Additionally, African ebony has a natural beauty, with a dark finish and distinctive grain that adds a touch of elegance to the instrument. Choosing African ebony top nuts for the viola is a quality choice that can greatly improve the value of the instrument.</p>

013.101

5/ 5

<p><span style="background-color:#fbe329;"><strong>SOLD EXCLUSIVELY TO PROFESSIONALS!!!!</strong></span></p> <p>Oxalic acid is a chemical compound that finds various applications, including marble cleaning and the removal of light rust patinas from metal objects, especially during the restoration of historical artifacts such as plaques, helmets, and studs.</p> <p>To lighten wood, oxalic acid is dissolved in water or alcohol and then evenly applied to the wood surface using a brush. It is advisable to use diluted solutions and repeat the application until the desired color tone is achieved. After application, it is important to wash the wood with water and brush to remove any residues. Oxalic acid can cause shiny stains if not completely removed.</p> <p>To remove rust patinas, the object to be treated is immersed in a solution of warm water and oxalic acid. It is important to avoid excessive acid quantity to prevent yellowing of the artifact, so it is better to proceed gradually. Afterwards, it should be thoroughly rinsed with demineralized water and brushed to remove the rust. To completely eliminate oxalic acid, it is recommended to immerse the object in demineralized water with the addition of baking soda.</p> <p>In the case of thick rust, it may be preferable to use a rust converter.</p> <p>It is important to take precautions when using oxalic acid. It should be stored in a well-ventilated area as it can emit toxic vapors. Avoid skin contact and inhalation of vapors, so wearing gloves, a mask with vapor filters, and protective goggles is advisable.</p> <p><strong>Hazard statements:</strong></p> <p>H302+H312 Harmful if swallowed or in contact with skin.</p> <p>H318 Causes serious eye damage.</p> <p><strong>Precautionary statements:</strong></p> <p><strong>Prevention:</strong></p> <p>P270 Do not eat, drink or smoke during use.</p> <p>P280 Wear protective gloves/eye protection.</p> <p><strong>Response:</strong></p> <p>P305+P351+P338 IF IN EYES: Rinse cautiously with water for several minutes. Remove contact lenses if present and easy to do. Continue rinsing.</p> <p>P310 Immediately call a POISON CENTER/doctor.</p>

045.732

5/ 5

<p>Can be attached to the ball-head mounting (not included) for more versatility in positioning, or simply mounted to the workbench.</p> <p>Thickness 32 mm</p> <p>Traditional tool for simplify the work on the top and back. Heavy plywood base, 5 adjustable screws to hold the plate.</p> <p></p>

029.216

5/ 5

021.292

5/ 5

<p>These carving tools are hand forged from special high carbon tool steel. This complicated and expensive process is the basis of the quality and durability for which the Grandi Liutai Italiani tools are known. The tools are hardened to RC61 and are mirror polished to facilitate subsequent sharpening and prevent rust.</p> <p></p> <p> the overall length of each gouge is from 24 to 26 cm. The wider gouges are often used with mallets, and are stronger to withstand repeated blows. The octagonal white birch handles are sized according to the shape of the gouge, and are wrapped in metal rings to prevent cracking or breaking .</p> <p></p> <p>The thickness of these gouges is much higher than those of any other brand on the market, and this is a very important factor for artisans who like to have sturdy and always perfectly sharp carving tools.</p>

021.291

5/ 5

<p>Violin Maple Back from Bosnia-Erzegovina, naturally seasoned.</p> <p>Quality "MASTER", one pieces radial cut.</p> <p>Minimum age of maturation of 5 years.</p> <p></p> <p>Including ribs for make a violin</p>

001.007

5/ 5

<p>Violin Maple Back from Bosnia-Erzegovina, naturally seasoned.</p> <p>Quality "MASTER", two pieces radial cut.</p> <p>Minimum age of maturation of 5 years.</p> <p></p> <p>Including ribs for make a violin</p>

001.004

5/ 5

032.069

5/ 5

045.089

5/ 5

037.012

5/ 5

033.215

5/ 5

<p>IL MEGLIO PER IL VS STRUMENTO.</p> <p>Anime di qualità fatte a mano con Abete rosso di spacco!</p> <p>Le nostre anime sono da noi prodotte  selezionando il miglior legno per liuteria. Le anime che produciamo derivano da legno spaccato con una stagionatura di almeno 7 anni!</p> <p>Per le nostre anime utilizziamo esclusivamente legno di abete rosso spaccato della miglior scelta stagionato per molti anni per raggiungere la maturità ottimale. Ogni anima è fatta a mano e l'elevata qualità di finitura viene raggiunta dopo diversi processi.</p> <p></p> <p>Grazie al controllo di qualità vi garantiamo un prodotto di alta qualità.</p>

005.015

5/ 5

005.013

5/ 5

005.008

5/ 5

045.125

5/ 5

<h2>The most used resin for violins and bows</h2> <p>Rosin is a solid resin derived from the oleo-resin (crude turpentine) exuded by various species of pine tree. Rosin is extracted by heating the oleo-resin to vaporise the essential oils (spirit of turpentine), or through a naphtha solvent process. Rosin is mainly produced in Portugal and Brazil but Indonesia, northern Vietnam, southern China, the US, Mexico and France are also producers.</p> <p>Rosin is sold as a semi-transparent solid ranging in colour from yellow to black and has a faint odour of pine. The commercial grades range from A (the darkest) to K (yellow red), M (yellow brown) and N (deep yellow), through to superior WG ("Window Glass", yellow) and WW ("Water White", slight yellow) sold here by Grandi Liutai Italiani. Rosin is brittle and easily crumbled at room temperature, but melts at around 100-120 °C and is highly flammable. Rosin dissolves in alcohol, benzene, chloroform and ether. It is also soluble in spirit of turpentine and turpentine substitute.</p> <h3>Our evaluation of Portuguese Clear Rosin flakes</h3> <p>We at <strong>Grandi Liutai</strong> have evaluated the use of the Portuguese Clear Rosin Flakes - 100 g in our luthier laboratories, and we are very satisfied with the results. We have found that it is a high-quality product with numerous positive characteristics in the production and maintenance of stringed musical instruments. The Portuguese Clear Rosin Flakes - 100 g has proven to be a high-quality product, ideal for producing a clear and crystalline sound in stringed instruments such as violins, cellos, violas, and double basses. We have also noticed that this rosin is suitable for all types of strings, whether steel or gut. Secondly, we evaluated its ease of use. The rosin flakes dissolve easily. Additionally, the consistency of the rosin allows for easy manipulation, making it ideal for hand applications. Thirdly, we evaluated the durability and stability of the rosin. We at Grandi Liutai have found that the Portuguese Clear Rosin Flakes - 100 g maintains its long-term adhesion, even in hot and humid environments. This makes it ideal for industrial applications that require strong long-term adhesion. In summary, our evaluation of the use of the Portuguese Clear Rosin Flakes - 100 g in <strong>musical instruments is extremely positive</strong>. Its high quality, the consistency of the flakes, durability, and safety in use make it an ideal choice for every musician, whether professional or amateur. We highly recommend this product to anyone looking for a quality rosin for their stringed instrument.</p>

045.106

5/ 5

024.004

5/ 5

<p>Violin Maple Back from Bosnia-Erzegovina, naturally seasoned.</p> <p>Quality "PRO", two pieces radial cut.</p> <p>Minimum age of maturation of 5 years.</p> <p></p> <p>Including ribs for make a violin</p>

001.005

5/ 5

045.099

5/ 5

<h3>Our evaluation of the Bessey-type steel clamp</h3> <p>The Bessey-type steel clamp with 6 inches has been carefully evaluated by our team of experts at Grandi Liutai and represents an excellent choice for luthiers looking for a high-quality product for their work activities. This clamp has been specifically designed for the processing of delicate materials, such as those used for the construction of musical instruments, and we are happy to confirm that it is a product of the highest quality. The Bessey-type steel clamp with 6 inches is built with resistant materials, capable of ensuring long-lasting durability and great precision in processing. The length of 6 inches and the ergonomic shape make it easy to handle and use for luthiers of all experience levels. In addition, the shape of the clamp and its ability to adjust pressure make it suitable for various types of processing, allowing for an impeccable finish on the surfaces of instruments. We particularly appreciated the ease with which this clamp can be used, thanks to its ability to gradually and precisely adjust pressure. The quality of its locking system is high, ensuring secure and long-lasting stability during processing. In addition, the Bessey-type steel clamp with 6 inches is easy to clean and maintain, thanks to its resistance to corrosion and its ability to maintain its original shape after repeated use. In summary, the Bessey-type steel clamp with 6 inches is an excellent choice for luthiers looking for a high-quality product for their work activities. Its ergonomic shape, ability to adjust pressure precisely and gradually, and the quality of its locking system make it an excellent choice for obtaining precise and delicate processing on materials used for the construction of musical instruments. We highly recommend the Bessey-type steel clamp with 6 inches to luthiers of all experience levels.</p>

030.001

5/ 5

029.025

5/ 5

024.053

5/ 5

<p>Blocks are important elements in the construction of violins, playing a crucial role in the structure and optimization of the instrument's sound. Blocks can be made from different types of wood, but the most common are spruce and willow.</p> <p>Spruce blocks are often used in violins because this type of wood has good resistance and uniform density, allowing for the even transmission of string vibrations.</p> <p>Willow is known for its flexibility and strength, making it an excellent choice for violin blocks. Additionally, willow has the ability to transmit vibrations evenly, allowing for better response to lower notes.</p> <p>The choice of one or the other depends on the preferences of the luthier and the desired sound result.</p>

001.015

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is the purified, processed crude Seedlac.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Garnet is the most popular colour of the Wax Free shellacs and helps luthiers produce a warm and colourful looking varnish. It has a wonderful clarity and depth of shine.</span></p> <p></p>

045.104

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Elemi resin is a pale-yellow substance with a honey-like consistency. Elemi resin is used by luthiers in alcohol-based varnishes as its oily component gives the varnish better flexibility, adhesion, brilliance and plasticity.</span></p> <p></p>

045.096

5/ 5

<p>Essential tool for correctly placing a soundpost into a violin or viola, while you work through the treble f-hole. The titanium-nitride coating (TIN) triples the Soundpost setter life, protects it from corrosion and reduces friction during use. </p> <p>Insert the sharpened bevelled end into the soundpost for upright positioning in the violin. Use the notched end to help align the post into final position.</p> <p></p>

033.003

5/ 5

<p>Three Japanese products selected to help keep sharp tools and many other precision tools in top condition. The kit consists of a fine quality rubberized abrasive block, 240ml of Camellia oil and a special oil applicator. </p> <p>Pressed from the seeds of the Camellia tree, this light fragrant oil has been used in far eastern cultures for centuries. This Japanese Camellia Oil is food safe, non-toxic and acid free, making it perfect for protecting hand tools, machine tool beds, kitchen knives and firearms from corrosion. As a finishing oil it is quickly absorbed and will protect your work from ultraviolet light. Camellia oil is non hardening, so it will not provide impact protection, however a light coat will accentuate the grain and enable the surface to take a higher polish. It mixes well with other oils, and even a small amount will significantly improve their ability to penetrate.</p> <p></p>

029.023

5/ 5

<p><span lang="en-gb" style="font-size:11pt;line-height:107%;font-family:Calibri, 'sans-serif';" xml:lang="en-gb">Italian Leather Case made by hand, ideal for storing or transporting your file or rasp and prevent it from rusting or being damaged by bumping with other tools. The high thickness of the genuine leather guarantees excellent protection to the tool. The design is elegant and practical at the same time. This leather case is one of our best-selling items among lovers of fine tools.</span></p>

029.001

5/ 5

<p class="MsoNormal"><span lang="en-us" xml:lang="en-us">The Italian  Handmade special rasps are the best quality and particulary precised hand-staked tools, very tapered and thin at the tip for the realization of artistic works such as violin making, where precise and accurate woodworking and finishing are required.</span></p> <p>The notch of the teeth is uniform and constant up to the tip of the rasps. This allows them to be used for detailing and in tight spaces.</p> <p>The handwork, therefore the non-mechanical distribution of the teeth, ensures a clean job, free from the typical grooves of the industrially produced tool.</p> <p>The handle of the rasp has been designed by luthiers to give a comfortable grip and precise contact with the tool.</p> <p><iframe width="250" height="250" src="https://www.youtube.com/embed/UlkQ1e9vLWE" frameborder="0"></iframe></p>

024.056

5/ 5

<p lang="en-gb" style="line-height:150%;" xml:lang="en-gb"><span style="color:#000000;"><span style="font-family:Lato, sans-serif;"><span style="font-size:medium;">Since 2004, Grandi Liutai Italiani Original Basbar Frame is the choice of luthiers and restorers as it provides an indispensable support for gluing the bassbar without altering the straightness of every violin, viola and cello top. The spruce top of the stringed instruments is particularly flexible and even the slightest pressure can deform it when gluing the bassbar. The method used by many experts is to lock the board to our Original Frame while fitting and gluing the bassbar in order to avoid any twisting.</span></span></span></p> <p lang="en-gb" style="line-height:150%;" xml:lang="en-gb"><span style="color:#000000;"><span style="font-family:Lato, sans-serif;"><span style="font-size:medium;">We have noticed that many luthiers use our frame also for some phases of restoration of the top or back in which it is essential to keep the part to be restored flat.</span></span></span></p> <p style="line-height:150%;">Material and workmanship are 100% Made in Italy</p> <p><iframe width="250" height="250" src="https://www.youtube.com/embed/NpP-_k_vvCg" frameborder="0"></iframe></p> <h3>Our evaluation of the Controforma Catena produced by Grandi Liutai</h3> <p>The Controforma Catena produced by Grandi Liutai has been carefully evaluated by our team of experts and represents an excellent choice for luthiers and craftsmen seeking a high-quality soundpost setter for the construction and maintenance of stringed instruments. We are pleased to confirm that the Controforma Catena from Grandi Liutai is a product of the highest quality and delivers outstanding performance. The soundpost setter is an essential tool in instrument making and maintenance. It is used to shape and control the curvature of the soundpost and fingerboard, ensuring precise intonation and proper string action. The Controforma Catena from Grandi Liutai has been designed with great care and precision to meet these specific needs. The Controforma Catena from Grandi Liutai is made with high-quality materials and offers exceptional durability. It is sturdy and resistant to wear, ensuring long-lasting performance. Its solid construction allows for precise and secure handling during use. We particularly appreciated the ergonomics and ease of use of the Controforma Catena from Grandi Liutai. It is designed to fit comfortably in the craftsman's hand and allows for precise control when applying pressure to the fingerboard or soundpost. This guarantees accurate and superior workmanship. The Controforma Catena from Grandi Liutai is highly versatile and suitable for a wide range of stringed instruments, including violins, violas, and cellos. Its versatility enables craftsmen to use it in various contexts, from the initial construction of instruments to maintenance and repairs. In conclusion, the Controforma Catena produced by Grandi Liutai is a high-quality option for luthiers and craftsmen seeking a reliable and well-built soundpost setter for stringed instruments. Its precision, durability, and ease of use make it an essential tool in instrument making and maintenance. We highly recommend the Controforma Catena from Grandi Liutai to anyone seeking high-quality tools for their luthier work.</p>

029.010

5/ 5

<h2>Internal italian molds violin</h2> <p>The mold of the violin is always the starting point for a professional instrument. All the production and design of the mold of the <em>Academia Cremonensis</em> is rigorously carried out in Cremona, where expert luthiers reproduce the forms of the past, in order to guarantee the quality of each kit.                                                                                                                                                      This Deluxe Pattern set includes an inside mold that is 15mm thick made of 11 birch ply wood.  The set contains all templates for plate outline, neck (scroll) template, f-hole template including the f-hole position, upper and lower blocks, corner blocks and complete arching templates for top and back.  Also included is a brief history of the maker and model with a color photo.</p> <p>Violin inside <strong>molds Cremonese Kit</strong> Contains:</p> <ul style="list-style-type:disc;"> <li>violin silhouette template</li> <li>scroll model</li> <li>handle with peg holes</li> <li>model of the effe including the placement mark</li> <li>model of the upper and lower blocks, of the points</li> <li>models of the arching complete with top and bottom</li> </ul> <h3>Kit Cremonese molds</h3> <ul style="list-style-type:disc;"> <li>Antonio Stradivari 1715 Cremonese </li> <li>Antonio Stradivari 1716 Messiah</li> <li>Giuseppe Guarneri del Gesu' 1733 Kreisler</li> <li>Giuseppe Guarneri del Gesu' 1743 Cannone</li> <li>Nicolò Amati 1649 Alard</li> </ul> <p><iframe width="250" height="250" src="https://www.youtube.com/embed/F96tAeU2g5Q" frameborder="0"></iframe></p>

010.001

5/ 5

<p>Top Quality African Ebony. Thickness is low and it is only suitable for new instruments. It enters only half the thickness of the edge. Pre-shaped and ready for easy, final shaping and fitting.</p>

013.011

5/ 5

<p>Viola necks are all different, so we created a very well cut unshaped ebony nut. The trapezoid shape is perfect for finishing the nut very quickly.</p>

013.013

5/ 5

053.048

5/ 5

053.047

5/ 5

053.021

5/ 5

053.046

5/ 5

053.042

5/ 5

053.019

5/ 5

053.018

5/ 5

053.007

5/ 5

<p>4x Piroli Violino Mod. Hill  Ebano - Dettagli in Ebano Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill  Ebano- Dettagli in Bosso Ø 8.5mm</p> <p>4x Piroli Violino Mod. Hill Bosso - Dettagli in Ebano Ø 8.5mm</p>

053.040

5/ 5

053.015

5/ 5

<p>Thickness 50 mm</p> <p>Traditional tool for simplify the work on the top and back. Heavy plywood base, 5 adjustable screws to hold the plate.</p> <p></p>

029.217

5/ 5

013.103

5/ 5

045.126

5/ 5

053.010

5/ 5

<p>Diatomite forms by the accumulation of the amorphous silica remains of dead diatoms (microscopic single celled algae) in lacustrine or marine sediments. Tripoli consists of about 70-90 % SiO2, 3-12 % water and small amounts of organic constituents. These organic constituents are normally removed by calcination. During this process the powder can turn reddish (iron (III) compound).</p> <p>The normal, calcinated diatomaceous earth is chemically very resistant and non-combustible. Tripoli burns at 1200- 1700°C.</p> <p>Tripoli is used in powdered form as polishing agent for metals, stones and likewise or for the manufacture of metal polishing agents.</p> <p></p> <p>Technical Data<span style="white-space:pre;"> </span></p> <p>Physical and Chemical Data:<span style="white-space:pre;"> </span></p> <p>Color:<span style="white-space:pre;"> </span>yellowish-brown / pink</p> <p>G.E. Degree of whiteness:<span style="white-space:pre;"> </span>--</p> <p>Bulk density:<span style="white-space:pre;"> </span>190 g/l</p> <p>Density:<span style="white-space:pre;"> </span>370 g/l</p> <p>Specific weight:<span style="white-space:pre;"> </span>2.25</p> <p>Refraction index: 1.43</p> <p>Humidity (max % H2O):<span style="white-space:pre;"> </span>0.5 %</p> <p>pH-Value (10 % aqueous suspension):<span style="white-space:pre;"> </span>6.5</p> <p>Permeability (millidarcy): 300</p> <p>Sieve analysis (Tyler)<span style="white-space:pre;"> </span>% +105 mesh (&gt; 105 µm)<span style="white-space:pre;"> </span>2.5</p> <p>% +324 mesh (&gt; 44 µm)<span style="white-space:pre;"> </span>11.4</p> <p>Average particle size (µm):<span style="white-space:pre;"> </span>15</p> <p></p> <p>Chemical Analysis:<span style="white-space:pre;"> </span></p> <p>SiO2<span style="white-space:pre;"> </span>92.6 %</p> <p>Al2O3<span style="white-space:pre;"> </span>3.8 %</p> <p>Fe2O3<span style="white-space:pre;"> </span>1.6 %</p> <p>CaO<span style="white-space:pre;"> </span>0.6 %</p> <p>MgO<span style="white-space:pre;"> </span>0.3 %</p> <p>Other oxides:<span style="white-space:pre;"> </span>0.5 %</p> <p>Ignition loss:<span style="white-space:pre;"> </span>0.3 %</p> <p>These are average values.<span style="white-space:pre;"> </span></p> <p></p>

031.194

5/ 5

<p>Copal can be considered a young form of amber, still in a phase of chemical and physical transformation (amberization). It can be distinguished from amber by its opacity and the presence of numerous insects and other small animals inside. Unlike amber, copal is soluble in substances such as ether or benzene and can be completely dissolved to recover the insects inside.</p> <p></p> <p>Copal is extracted from various parts of the world, including Sierra Leone, Benin, Cameroon, Congo, Angola, Zanzibar, Mozambique, Madagascar, Mexico, Colombia, Brazil, Philippines, and New Zealand. It is produced by various species of broadleaf plants and occasionally by conifers. For example, Madagascar's copal is produced by a legume still present on the island, Hymenaea verrucosa (copalier). South American copal is produced by various plants in the Burseraceae family, such as Icica icicariba (which produces Brazilian gold copal), Bursera microphylla and Bursera graveolens (which produce black copal), and Protium crassipetalum (which produces white copal). Colombia's copal is produced by another legume in the Santander Department. Finally, the Philippines and New Zealand's copal is produced by a conifer in the Araucariaceae family, Agathis dammara (locally known as Kauri).</p> <p></p> <p>Manila Copal Gum comes in resinous masses of varying sizes, with surfaces of more or less dark color and a melting point ranging from 103°C to 120°C. It is soluble in alcohol and insoluble in common solvents.</p> <p></p> <p>Manila Copal Gum is soluble in alcohol at a temperature above 94°. After pyrolysis, Manila gum produces a substance soluble in alcohol and allows only small amounts of oil to be added. A solution is obtained that, when mixed with other resins and varnishes, can be used to prepare adhesives, putties, wood varnishes, and as an antique finish for frames, furniture, etc.</p>

045.091

5/ 5

045.107

5/ 5

<p>Violin top of Val di Fiemme Spruce, naturally seasoned.</p> <p>Quality "PRO".</p> <p>Minimum age of maturation of 10 years.</p> <p></p> <p>Made in Italy</p>

001.002

5/ 5

045.154

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Chios Mastic Gum is a natural resin that comes out spontaneously or by engraving from the "Pistachia Lentiscus" that grows on the island of Chios in Greece.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">The Chios Mastic Gum comes in the form of rounded tears, light yellow, bright and transparent.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">It is soluble in alcohol and essence of turpentine.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">In varnishes it is extremely transparent, brilliant and non-yellowing.</span></p> <p></p> <p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Due to its qualities of transparency and brilliance, Chios Mastic Gum is frequently used by Luthiers in the preparation of the highest quality Oil and Spirit varnishes.</span></p> <p></p>

045.097

5/ 5

<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is a resinous secretion of the lac insect and it is the only commercially used natural resin of animal origin. After the crude lac is gathered from the tree, it is crushed and graded and the largest particles are called "Seedlac". This set of small selected natural “golden gems” is simply cold washed to eliminate dust and wood residues and to keep intact the characteristics of the native resin such as the colour and the waxy component. This resin has been recently rediscovered by luthiers who want to give their alcohol varnishes rich and warm shades and at the same time soften their recipes.</span></p> <p></p>

045.105

5/ 5

<h2>counterform for violin, viola and cello</h2> <p>The counterform “La Stabile” is a classic of our production. Born over 20 years ago from an idea of ​​a Cremonese luthier, it was then redesigned and implemented over time following the many tips of the luthiers who use it. The basic idea of ​​this simple design is to keep the top or back of the violin tightly in the stops, without damaging the profile. Starting from this concept we have created a mechanics that pushes on the edges diagonally, and not sideways (like all other counterforms in the market) where the grain of the wood is fragile. Solid Finnish birch plywood and other simple but high-quality materials are ideal to ensure that this indispensable tool remains strong and stable over decades, especially for luthiers who use it daily.</p> <h3>Counter form in birch for stringed instruments</h3> <p><iframe width="250" height="250" src="https://www.youtube.com/embed/IQOg7u6L0xc" frameborder="0"></iframe></p>

029.005

5/ 5

<p><span lang="en-gb" style="font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;" xml:lang="en-gb">Protractor / Semicircular square in transparent plastic with two-way degree scale in millimeters, Placement dots on the back to keep it in position while drawing. </span><span style="font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;">Marking of parallel lines.</span></p>

028.013

5/ 5

053.004

5/ 5

<p>Violin Maple Back from Bosnia-Erzegovina, naturally seasoned.</p> <p>Quality "PRO", one pieces radial cut.</p> <p>Minimum age of maturation of 5 years.</p> <p></p> <p>Including ribs for make a violin</p>

001.009

5/ 5

<p>Violin Maple Back from Bosnia-Erzegovina, naturally seasoned.</p> <p>Quality "PRO", one pieces radial cut.</p> <p>Minimum age of maturation of 5 years.</p> <p></p> <p>Including ribs for make a violin</p>

001.008