OLD WOOD 1700 Liquid Alcohol Colours - 15 ml

5/ 5

<p>Ansaldo Poggi (1895-1984), one of the most influential luthiers of the 20th century, received acclaim in Europe and around the world for his extraordinary craftsmanship. His varnish, renowned for its excellent texture and clarity, offers a range of colors from bright and vibrant orange tones to deeper shades of yellow-reddish hues. Poggi's artistry is reflected in the color we present, designed by Academia Cremonensis and produced by Old Wood Company</p> <p>....a tribute to his lasting influence in the world of violin making.</p>

045.774

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<p>Doratura Minerale is a ground that incorporates mineral compounds into the wood, enhancing the instrument's underlying golden hues, along with an oleo-resinous base that facilitates its homogeneous and uniform application.</p> <p>On one hand, with the introduction of a mineral stratum, the wood's pores are saturated, contributing to improving the wood's characteristics and protection. The coloring provided by these components introduces new nuances of color and increases the luminosity of the final finish.</p> <p>The distribution of the particle size of these minerals creates different levels of refractive indexes between the layers and substrate (the wood itself), favoring the desired dichromatic effect.</p> <p>On the other hand, the transparent vehicle used uniformly fixes these loads and promotes the correct leveling of the application.</p>

045.071

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<p>Imprimitura Minerale is a transparent ground formulated with mineral compounds.</p> <p>Imprimitura Minerale is a transparent ground formulated with mineral compounds that saturate, at the beginning, the pores of the wood, helping to improve the performance of the wood and, therefore, the instrument.</p> <p>The vehicle used is the oleo-resinous component that facilitates the application of the mineral loads, protects the wood from external agents and provides great transparency and refraction.</p> <p>The solid particles introduced together with the main vehicle of the varnish create different types of refractive indexes between the layers and the substrate (the wood itself), contributing to the dichromatic effect.</p> <p>It can be diluted with linseed oil, walnut oil, white spirit, turpentine or lavender oil. To obtain the best results, only a very thin coat should be applied.</p> <p></p> <p>Bibliographical references:</p> <p>Marciana Manuscript.</p> <p>Louis M. Condax.</p> <p>Ralph Raphael.</p> <p>Andrew Dipper.</p> <p>Gabriele Carletti.</p> <p>Max Doerner.</p> <p>Ralph Mayer.</p> <p>Rutherford J. Gettens &amp; George L. Scout.</p> <p>Mary P. Merrifield.</p> <p>Claire Barlow &amp; Jim Woodhouse.</p>

045.070

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<p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, the cello and the double bass.</p> <p>This varnish is appropriate for special ageing techniques and when easy chipping and hard varnish is required (ref. Peter Westerlund Youtube video; westerlend.se)</p> <p>This varnish is made following traditional formulas, using high quality natural raw materials.</p> <p>Extra-resin varnish provides a beautiful, transparent, and resistant film.</p> <p>The shiny film obtained has high hardness and transparency.</p>

045.065

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<p>Refractive ground is a transparent amber ground that provides a “permanent moist effect”.</p> <p>Refractive Ground deeply protects and illuminates the wood.</p> <p>It is a transparent amber compound that provides a refractive index similar to wood. For that reason it enhances and highlights to the maximum the light refractive process generating an “optical effect of depth” on the wood’s surface, developing a “permanent wet effect” on the annual rings, as well as on their resinous and amorphous formations.</p> <p>Its optimum penetration in the superficial layer of the wood avoids the saturation of the fibres, achieving an incomparable luminosity in depth.</p>

045.401

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<p><strong><span style="background-color:#fbe329;">Italian Dark Orange Varnish</span></strong></p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, and the cello.</p> <p>This varnish is made following traditional formulas, using high-quality natural raw materials. This varnish can be combined with new colours incorporated into the oils.</p> <p>Italian Coloured Varnishes provide a beautiful, transparent, and resistant film. This range of varnishes offers an optimal result no matter if they are used alone, combined with each other or with Old Wood other classic oil varnishes. They can also be mixed with our Oil Natural Colors and glazes.</p> <p>This varnish is formulated with resins and modified rosin in combination with high-quality linseed oils, which provides the optimal balance between the hardness and flexibility needed to protect the instrument.</p> <p>As a diluent medium, it includes a blend of aromatic-free and high-boiling solvents, resulting in a non-flammable, low-odour product.</p>

045.782

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<p>Varnish with a high concentration of resin, formulated with Baltic Amber, linseed oil thickened in the sun and polymerised linseed oil.</p> <p>This varnish produces a beautiful, transparent, warm and resistant coating. It gives an optimum result to be combined with pigments, dyes and on glazes.</p> <p>It makes the colours brighter giving depth, luminosity and incomparable solidity. It can be diluted with white spirit, turpentine and with OW Thinner (see “raw materials”).</p> <p>Due to the quality of the oils used, they give the varnish excellent properties regarding levelling, drying and resistance to external agents. The physical properties of the finish will also depend on carrying out a correct curing or drying of the applied coating.</p> <p>During drying, in addition to the evaporation of the solvents oxidation, oxidation reactions also occur with the oxygen in the air. This auto-oxidation is controlled in all our varnishes by a correct selection of secants that guarantee a homogeneous drying on the entire thickness of the applied coating.</p> <p>We recommend drying our oil-based varnishes in an UV chamber.</p> <p># References: Heraclitus. (s. XI ).“De Coloribus et Artibus Romanorum”.Cap.11-A y 44. # Theophil’s Manuscript. (s. XII ). Capítulo 37. # Leonardo Da Vinci (1452 – 1519). “Book of notes”. # Dr. Ketam’s. (2ª m. S XV ). “Flemish Manuscript”. # Anónimo alemán (1503 – 1506). “Liber Illuministrarius” . Sec. 19. # Marciana Manuscript. (1503 – 1527). Paragraph 395. # Timoteo Rosello. (1575). “Della Summa de Secretti Universali”. # Theodore Turquet de Mayerne. (1620). “Pictoria, Sculptoria et qua Subalternum Artium”. P. 43 (« The true varnish of lutes and viols ») # Chrstopher L. Morley. (1697). “Collectanea Chymica Leydensia” # Mary P. Merrifield. “ Medieval &amp; Renaissance Treatises on the Arts of Painting”. # Geary L. Baese. “Classic Italian Violin Varnish” # Martin Roberts Zemitis. “Violin Varnish and Coloration”. # Luciano Colombo. “The Old Varnishes for Violin Making”. # Vincenzo Gheroldi.«Venici e Segreti Curiosissimi. Cremona 1747». “Il Manoscritto4 (H 113) della Biblioteca Trivulziana di Milano”.</p>

045.075

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<p>Rosin Varnish  Extra Resin</p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, the cello, and the double bass.</p> <p>This varnish is appropriate for special ageing techniques and when easy chipping and hard varnish is required (ref. Peter Westerlund Youtube video; westerlend.se)</p> <p><span style="background-color:#fbe329;"><strong>https://www.youtube.com/channel/UCy1ZL5MSHTJuxYDyIaZqZYA</strong></span></p> <p>This varnish is made following traditional formulas, using high quality natural raw materials.</p> <p>Extra-resin varnish provides a beautiful, transparent, and resistant film.</p> <p>The shiny film obtained has high hardness and transparency.</p>

045.785

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<p><strong>Giuseppe Fiorini (1861-1934)</strong>, a distinguished violin maker, earned accolades in Europe and the rest of the world for his exceptional craftsmanship. His varnish, known for its excellent texture and clarity, ranges from warm and vivid orange to nuanced brown and reddish hues. Fiorini's artistry lives on in the color we offer, designed by <strong>Academia Cremonensis</strong> and produced by <strong>Old Wood Company</strong></p> <p>....a tribute to his enduring influence in the world of violin making.</p>

045.772

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<p><span style="background-color:#fbe329;"><strong>Italian Yellow Varnish</strong></span></p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, and the cello.</p> <p>This varnish is made following traditional formulas, using high-quality natural raw materials. This varnish can be combined with new colours incorporated into the oils.</p> <p>Italian Coloured Varnishes provide a beautiful, transparent, and resistant film. This range of varnishes offers an optimal result no matter if they are used alone, combined with each other or with Old Wood other classic oil varnishes. They can also be mixed with our Oil Natural Colors and glazes.</p> <p>This varnish is formulated with resins and modified rosin in combination with high-quality linseed oils, which provides the optimal balance between the hardness and flexibility needed to protect the instrument.</p> <p>As a diluent medium, it includes a blend of aromatic-free and high-boiling solvents, resulting in a non-flammable, low-odour product.</p>

045.781

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<p><span style="background-color:#fbe329;"><strong>Italian Dark-Brown Varnish</strong></span></p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, and the cello.</p> <p>This varnish is made following traditional formulas, using high-quality natural raw materials. This varnish can be combined with new colours incorporated into the oils.</p> <p>Italian Coloured Varnishes provide a beautiful, transparent, and resistant film. This range of varnishes offers an optimal result no matter if they are used alone, combined with each other or with Old Wood other classic oil varnishes. They can also be mixed with our Oil Natural Colors and glazes.</p> <p>This varnish is formulated with resins and modified rosin in combination with high-quality linseed oils, which provides the optimal balance between the hardness and flexibility needed to protect the instrument.</p> <p>As a diluent medium, it includes a blend of aromatic-free and high-boiling solvents, resulting in a non-flammable, low-odour product.</p>

045.778

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<p>Ferdinando Garimberti (1885-1956), a luminary in the realm of violin making, apprenticed under the guidance of masters Romeo and Riccardo Antoniazzi. His journey continued with influential stints at the workshops of Leandro Bisiach and Giuseppe Pedrazzini before establishing his own atelier in Milan around 1920. Here, he not only crafted new violins but also honed his expertise in restoring antique instruments.</p> <p>Garimberti's artistic legacy, marked by extraordinary craftsmanship and an unwavering attention to detail, is notably consistent over time. His creations bear the hallmark of elegance and a meticulous eye for intricacies. Frequently opting for the highest quality materials, he often favored one-piece backs, showcasing a commitment to excellence.</p> <p>The varnish on Garimberti's violins, characterized by its varying color and consistency, typically exhibits an enchanting orange-red hue. This distinctive palette, a testament to his artistic choices, adds a unique allure to his instruments. Many of Garimberti's masterpieces proudly carry a signed label and brand, solidifying their authenticity.</p> <p>The color we offer, crafted by Academia Cremonensis and brought to life by Old Wood Company, pays homage to Garimberti's legacy. Inspired by his penchant for rich and deep red tones, this distinctive hue is a nod to the exceptional craftsmanship and dedication to detail that defined Ferdinando Garimberti's contributions to the world of violin making.</p>

045.773

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<p>“Italian varnish” is a classical oil varnish made with natural and traditional raw materials.</p> <p>Imagine the "Italian varnish" as a true work of art, carefully crafted by the talented technicians at the Old Wood Company. This classical oil varnish, steeped in tradition, is a result of their dedication to using natural and time-honored materials.</p> <p>The artisans at Old Wood Company took a trip back in time, consulting ancient recipes to breathe life into this varnish. They mixed pre-treated colophony and Baltic amber with oils, creating a varnish that not only exudes transparency but also carries a subtle, light hue that pays homage to ageless craftsmanship.</p> <p>Ensuring the perfect blend of hardness and flexibility, the Italian varnish from Old Wood Company joins the ranks of respected counterparts like Cremona, Classical Amber, and Brescia Varnishes. While they share a similar recipe, each varnish boasts its own unique color, a touch that reflects the artistry put into every batch.</p> <p>In the realm of technical wizardry, each varnish, including the Italian varnish, is painstakingly crafted to strike that sweet balance between its components. Rigorous testing, overseen by the skilled hands at the Old Wood Company, assures that these varnishes meet the loftiest standards.</p> <p>It's worth noting that the Italian varnish, crafted by the artisans at Old Wood Company, isn't just about hardness and flexibility; it also brings a lighter color and a quicker drying time to the table. These distinctive features, coupled with the know-how of the Old Wood Company, make this varnish a standout and valuable addition to the world of artistic finishes.</p>

045.073

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<p><strong>Italian Varnish Brown Red</strong></p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, and the cello.</p> <p>This varnish is made following traditional formulas, using high-quality natural raw materials. This varnish can be combined with new colours incorporated into the oils.</p> <p>Italian Coloured Varnishes provide a beautiful, transparent, and resistant film. This range of varnishes offers an optimal result no matter if they are used alone, combined with each other or with Old Wood other classic oil varnishes. They can also be mixed with our Oil Natural Colors and glazes.</p> <p>This varnish is formulated with resins and modified rosin in combination with high-quality linseed oils, which provides the optimal balance between the hardness and flexibility needed to protect the instrument.</p> <p>As a diluent medium, it includes a blend of aromatic-free and high-boiling solvents, resulting in a non-flammable, low-odour product.</p>

045.776

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<p><span style="background-color:#fbe329;"><strong>Italian Orange Varnish</strong></span></p> <p>Classic oil varnish for classic wooden stringed instruments, such as the violin, the viola, and the cello.</p> <p>This varnish is made following traditional formulas, using high-quality natural raw materials. This varnish can be combined with new colours incorporated into the oils.</p> <p>Italian Coloured Varnishes provide a beautiful, transparent, and resistant film. This range of varnishes offers an optimal result no matter if they are used alone, combined with each other or with Old Wood other classic oil varnishes. They can also be mixed with our Oil Natural Colors and glazes.</p> <p>This varnish is formulated with resins and modified rosin in combination with high-quality linseed oils, which provides the optimal balance between the hardness and flexibility needed to protect the instrument.</p> <p>As a diluent medium, it includes a blend of aromatic-free and high-boiling solvents, resulting in a non-flammable, low-odour product.</p>

045.779

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<p>OLD WOOD presents a collection of exquisite oil colours meticulously crafted to bring vibrancy and depth to artistic expressions. Let's explore the distinct characteristics of each unique pigment:</p> <p><span style="text-decoration:underline;"><strong>Indian Yellow (Reseda Luteola L.)</strong></span></p> <p>A stable yellow pigment with a vegetable origin, it offers transparency, depth, and luminosity.</p> <p>Derived from Reseda Luteola L., its history traces back to Persia in the 15th century.</p> <p>The organic material, magnesium salts from euxanthic acid in the urine of bovine animals fed with mangoes, adds to its uniqueness.</p> <p>OLD WOOD uses the name Indian Yellow for Weld – Indian Yellow, a vegetable origin pigment from the resedaceae family.</p> <p><span style="text-decoration:underline;"><strong>Pernambuco – Golden Brown (Caesalpina echinata)</strong></span></p> <p>Originating in Asia, it gained popularity in Europe during the 15th and 16th centuries as a bright red dye.</p> <p>Derived from the Caesalpina echinata species, OLD WOOD processes brazilin and brazilein to create ochre-purple-brown shades with vibrant transparency.</p> <p><span style="text-decoration:underline;"><strong>Madder Lake Brown Red (Rubia tinctorum L.)</strong></span></p> <p>Among the most stable natural pigments, it has been a common red dye for centuries.</p> <p>Obtained from the root of the madder plant in the Mediterranean and Middle East, it provides pure, bright, warm, transparent, and lively red hues.</p> <p><span style="text-decoration:underline;"><strong>Walnut – Dark Brown (Junglans regia)</strong></span></p> <p>Developed by OLD WOOD as a neutral hue to correct excessive red tones.</p> <p>This exclusive brown pigment serves as both a glaze for walnut color and a tint or neutralizing agent to maintain transparency and enhance the overall color balance.</p> <p><span style="text-decoration:underline;"><strong>Venetian Red (Sorghum Halepense)</strong></span></p> <p>Extracted from the sorghum plant, it produces varying colors from dark red and brown to light yellow and white.</p> <p>OLD WOOD selects a variety rich in pelargonidin, petunidin, and cyanidin, creating a dark red-brown pigment with transparency and silky warmth.</p> <p><span style="text-decoration:underline;"><strong>Madder Lake Red (Rubia tinctorum L.)</strong></span></p> <p>Obtained from the madder plant's root, it stands out as one of the most stable natural pigments, offering pure, bright, warm, transparent, and lively red hues.</p> <p><span style="text-decoration:underline;"><strong>Cherry Red (Coccus Laca)</strong></span></p> <p>OLD WOOD processes traditional Indian lac to produce a shiny red with strong brown and deep purple hues, showcasing great transparency.</p> <p>Derived from the secretions of female Coccus lacca insects, this pigment adds a rich and deep red to artistic palettes.</p> <p></p> <p>OLD WOOD's commitment to quality and the careful processing of these complex dyes results in a palette that artists can trust for vibrant, transparent, and warm hues, enriching their creative expressions.</p>

045.021