<h2>Internal italian molds violin</h2>
<p>The mold of the violin is always the starting point for a professional instrument. All the production and design of the mold of the <em>Academia Cremonensis</em> is rigorously carried out in Cremona, where expert luthiers reproduce the forms of the past, in order to guarantee the quality of each kit. This Deluxe Pattern set includes an inside mold that is 15mm thick made of 11 birch ply wood. The set contains all templates for plate outline, neck (scroll) template, f-hole template including the f-hole position, upper and lower blocks, corner blocks and complete arching templates for top and back. Also included is a brief history of the maker and model with a color photo.</p>
<p>Violin inside <strong>molds Cremonese Kit</strong> Contains:</p>
<ul style="list-style-type:disc;"><li>violin silhouette template</li>
<li>scroll model</li>
<li>handle with peg holes</li>
<li>model of the effe including the placement mark</li>
<li>model of the upper and lower blocks, of the points</li>
<li>models of the arching complete with top and bottom</li>
</ul><h3>Kit Cremonese molds</h3>
<ul style="list-style-type:disc;"><li>Antonio Stradivari 1715 Cremonese </li>
<li>Antonio Stradivari 1716 Messiah</li>
<li>Giuseppe Guarneri del Gesu' 1733 Kreisler</li>
<li>Giuseppe Guarneri del Gesu' 1743 Cannone</li>
<li>Nicolò Amati 1649 Alard</li>
</ul><p><iframe width="250" height="250" src="https://www.youtube.com/embed/F96tAeU2g5Q" frameborder="0"></iframe></p>
<p class="MsoNormal"><span lang="en-us" xml:lang="en-us">The finest quality smoothing and polishing material </span></p>
<p></p>
<p><span lang="en-us" style="font-size:11pt;line-height:107%;font-family:Calibri, 'sans-serif';" xml:lang="en-us">Micro-Mesh is excellent for intermediate sanding between coats of paint, retouching and fine finishing work on wood, plastic, plexiglass, and metal surfaces, including polishing. For irregular and curved surfaces also. The abrasive particles are suspended in a silicon matrix strongly bound to a thin, highly flexible textile basis, so that no residual remain on the finished surface. Micro-Mesh can be used dry, with water, or with petroleum, and is very long-lasting under normal wear.</span></p>
<p>Grandi Liutai Italiani has always been a leading brand in the research and trade of rare Bosnian maple of the highest quality, and a part of the selected logs are perfect for the production of bridges. Collaborating with valid professionals and looking for innovative methods and designs we have created a line of bridges that follow the needs of the most qualified luthiers and restorers.</p>
<p>The violin bridge “Ready to Use Model” has a design conceived to minimize the luthier's work to the acoustic adaptation on the instrument. Just adapt the feet to the arching of the top, adjust the thickness and the heights of the strings and the bridge will be ready!</p>
<p></p>
<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Grandi Liutai Italiani carries the finest quality of Platinum shellac available and guarantee its as the best quality on the market.</span></p>
<p></p>
<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Shellac is the purified, processed crude Seedlac.</span></p>
<p></p>
<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">Dewaxed Platinum Shellac Flakes has very little colour.<span> </span>It is primarily used as a clear coat in order to reveal the natural colour of the wood. It allows the natural colour to show through. </span></p>
<p></p>
<p class="MsoNormal"><span lang="en-gb" xml:lang="en-gb">It has a wonderful clarity and depth of shine.<span> </span>It will produce one of the most beautiful finishes in violinmaking. Platinum is one of the most popular colours for bringing out the natural colour of exotic hardwoods.<span> </span>Platinum Shellac gives the wood a little amber colour and is the 1st lightest colour available on the market.</span></p>
<p></p>
<p><span style="color:#000000;"><span style="font-family:Lato, sans-serif;"><span style="font-size:medium;">The counterform “La Stabile” is a classic of our production. Born over 20 years ago from an idea of a Cremonese luthier, it was then redesigned and implemented over time following the many tips of the luthiers who use it.</span></span></span></p>
<p><span style="color:#000000;"><span style="font-family:Lato, sans-serif;"><span style="font-size:medium;">The basic idea of this simple design is to keep the top or back of the violin tightly in the stops, without damaging the profile. Starting from this concept we have created a mechanics that pushes on the edges diagonally, and not sideways (like all other counterforms in the market) where the grain of the wood is fragile.</span></span></span></p>
<p class="MsoNormal"></p>
<p><span style="color:#000000;"><span style="font-family:Lato, sans-serif;"><span style="font-size:medium;">Solid Finnish birch plywood and other simple but high-quality materials are ideal to ensure that this indispensable tool remains strong and stable over decades, especially for luthiers who use it daily.</span></span></span></p>
<p></p>
<p><iframe width="250" height="250" src="https://www.youtube.com/embed/IQOg7u6L0xc" frameborder="0"></iframe></p>
<p class="MsoNormal"><span>The Amber Colophony is prepared by exposing Amber to a short-term temperature which occurs in vacuum, coupled with the simultaneous separation of the gaseous and liquid elimination products, results in the formation of a particularly high-quality rosin which is free from extraneous substances and is particularly suitable for the production of oil varnishes. </span><span lang="it" xml:lang="it">The reaction takes place at 300-450 Celsius.</span></p>
<p></p>
